{"product_id":"rme-fireface-ufx-iii-24-bit-192khz-high-end-usb-3-audio-interface","title":"RME Fireface UFX III 24-Bit 192kHz High-End USB 3 Audio Interface","description":"\u003cp\u003e\u003cstrong\u003eRME Fireface UFX III 24-Bit 192kHz High-End USB 3 Audio Interface Overview:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Multichannel Flagship Interface\u003c\/strong\u003e\u003cbr\u003eThe Fireface UFX III is the center of any multitrack studio, handling up to 94 channels I\/O with ease. Its unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME’s famous low latency hardware and driver designs guarantee flawless operation in any mode and application.\u003c\/p\u003e\n\u003cp\u003ePacked with professional features, including SteadyClock FS, MADI I\/O (64 channels), a powerful DSP, USB 3.0 (full 94 channel I\/O Class Compliant ready), TotalMix FX, Direct USB Recording, and support for the Advanced Remote Control USB (available separately), the Fireface UFX III is the professional’s preferred tool for multitrack recording, mixing and mastering.\u003c\/p\u003e\n\u003cp\u003eThe Fireface UFX III is based on a newly developed analog and digital board. While the analog board offers, for example, DC-coupled analog outputs as well as new AD and DA converters with improved THD+N value, the digital board also enables interesting new features thanks to updated high-tech components.\u003c\/p\u003e\n\u003cdiv\u003e\u003cimg height=\"70\" width=\"70\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/analog-io.svg?v=1731311864\" alt=\"\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12 x Analog I\/O\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/mic-instrument.svg?v=1731311923\" width=\"70\" height=\"70\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e4 x XLR\/TRS Mic\/Inst\/Line\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg height=\"70\" width=\"70\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/phones.svg?v=1731311961\" alt=\"\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2 x Phones Output\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/aes.svg?v=1731312019\" width=\"70\" height=\"70\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1 x AES\/EBU I\/O\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg height=\"69\" width=\"69\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/adat.svg?v=1731312057\" alt=\"\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2 x ADAT I\/O\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg height=\"70\" width=\"70\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/SPDIF.svg?v=1731312099\" alt=\"\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2 x SPDIF I\/O\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/word-clock.svg?v=1731312144\" width=\"70\" height=\"70\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1 x Word Clock I\/O\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg height=\"70\" width=\"70\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/madi-optisch.svg?v=1731312189\" alt=\"\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1 x MADI optical I\/O\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/word-clock_90fe8424-a7fb-43bb-b4b7-e14bc6c90610.svg?v=1731312235\" width=\"70\" height=\"70\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1 x MADI I\/O coaxial\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg height=\"70\" width=\"70\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/midi.svg?v=1731312275\" alt=\"\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2 x MIDI I\/O\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/usb-3.svg?v=1731312320\" width=\"70\" height=\"70\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRME USB 3.0\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg height=\"69\" width=\"69\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/total-mix.svg?v=1731312358\" alt=\"\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTotalMix FX\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/ARC-USB.svg?v=1731312404\" width=\"70\" height=\"70\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eARC USB\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg height=\"69\" width=\"69\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/durec.svg?v=1731312448\" alt=\"\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDURec\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/class-compliant.svg?v=1731312505\" width=\"70\" height=\"70\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eClass Compliant Mode\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/AutoSet.svg?v=1731312544\" width=\"70\" height=\"70\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAutoSet Digital Gain Control\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg height=\"70\" width=\"70\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/dc-coupled.svg?v=1731312632\" alt=\"\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDC-coupled Outputs\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/FX-onBoard.svg?v=1731312677\" width=\"70\" height=\"70\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIncluding FX\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cimg height=\"70\" width=\"70\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/SteadyClock-FS.svg?v=1731313115\" alt=\"\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSteadyClock FS\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful USB 3 Performance\u003c\/strong\u003e\u003cbr\u003eThe front panel of the Fireface UFX III provides four high-performance XLR\/TRS combo inputs for microphone, instrument and line signals, two stereo headphone jacks with +19 dBu output level, MIDI I\/O, and a USB port. In combination with the DURec function (Direct USB Recording), the USB port allows independent recording of selected input and output signals (up to 80 channels) to a connected USB storage medium.\u003c\/p\u003e\n\u003cp\u003eThe rear panel reveals the full connectivity of the Fireface UFX III. Besides another MIDI I\/O, the two optical ADAT I\/Os, an AES\/EBU I\/O, and eight balanced analog outputs with line level (including XLR stereo monitor outputs) are available. With the new Multi-Mode, the two ADAT I\/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I\/O. Furthermore, the Fireface UFX III offers an optical MADI interface (SC) with 64 bidirectional channels. The Word Clock connectors (BNC) work as additional coaxial MADI input and output if required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComprehensive MADI Connectivity\u003c\/strong\u003e\u003cbr\u003eThe Fireface UFX III opens the doors to a host of RME and 3rd party digital and analog I\/O solutions. Expanding your analog channel count, the ability to route\/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series.\u003c\/p\u003e\n\u003cp\u003eTo further enhance MADI flexibility, the Fireface UFX III boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I\/O (12 analog plus 16 ADAT plus AES), the MADI I\/O is still available via RME’s integrated hardware mixer TotalMix FX. Word Clock I\/O (BNC) can be switched to MADI I\/O (coaxial), and a special split mode even supports the use of both MADI I\/Os simultaneously, with 32 channel each on optical and coaxial.\u003c\/p\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/UFX-Web01.jpg?v=1731311499\" width=\"700\" height=\"394\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful Applications for Mixing, Monitoring and Measurement included\u003c\/strong\u003e\u003cbr\u003eThe Fireface UFX III comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.\u003c\/p\u003e\n\u003cp\u003eThe additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME \u003ca href=\"https:\/\/www.bajaao.com\/collections\/audio-interfaces\" target=\"_blank\" rel=\"noopener noreferrer nofollow\" title=\"audio interfaces\"\u003eaudio interfaces\u003c\/a\u003e. TotalMix Remote mirrors the current state of the host system on the iPad and Windows\/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi.\u003c\/p\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/FS-recording.jpg?v=1731311561\" width=\"700\" height=\"389\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDC-Coupled Outputs - CV\/Gate Voltage Control\u003c\/strong\u003e\u003cbr\u003eMost audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies.\u003c\/p\u003e\n\u003cp\u003eWhilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular \u003ca href=\"https:\/\/www.bajaao.com\/collections\/synthesizers\" target=\"_blank\" rel=\"noopener noreferrer nofollow\" title=\"synthesizers\"\u003esynthesizers\u003c\/a\u003e, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs.\u003c\/p\u003e\n\u003cp\u003eAll of the Fireface UFX III’s line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog\/MOTM\/Synthesizers formats) and other studio hardware.\u003c\/p\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/UFX-Web02.jpg?v=1731311606\" width=\"701\" height=\"394\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eUSB 3 Class Compliant Audio\u003c\/strong\u003e\u003cbr\u003eThe Fireface UFX III operates in two different modes: driver-based USB 3 and Class Compliant. The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required, the device will be directly recognized when the CC firmware is loaded.\u003c\/p\u003e\n\u003cp\u003eThe Fireface UFX III is RME's first audio interface with full USB 3.0 support in Class Compliant Mode. This makes all channels available in driverless operation for Linux, Mac and iPadOS. An iPad Pro with USB C can manage up to 94 channels for recording and playback in TotalMix FX for iPad and on system level.\u003c\/p\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/UFX-DURec.jpg?v=1731311657\" width=\"701\" height=\"394\" loading=\"lazy\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eARC USB Remote Control - Plug’n Play Plus\u003c\/strong\u003e\u003cbr\u003eThe optional available ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX III. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX III.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDURec (Direct USB Recording)\u003c\/strong\u003e\u003cbr\u003eDURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the front USB port. The Fireface UFX III records on USB thumb drives or hard drives with up to 2 TB capacity. The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. The Direct USB Recording converts the Fireface UFX Series both into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks. Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore Outstanding Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotalMix FX - Mixing\/Routing with superior features for Studio and Live Work\u003c\/strong\u003e\u003cbr\u003eSince 2001 TotalMix added unlimited routing and mixing to RME‘s audio interfaces. Its unique capability to create as many independent submixes as output channels available turned it into the most flexible and powerful mixer of its kind.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigiCheck - The Secret Weapon of High Resolution Audio Measurements\u003c\/strong\u003e\u003cbr\u003eRME Audio interfaces not only provide you with a professional digital audio interface, but also with a free available software tool: DigiCheck, for metering, testing, measuring and analyzing digital audio streams.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteadyClock FS - Reference class Digital Clocking\u003c\/strong\u003e\u003cbr\u003eExcellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is, with lowest jitter and highest jitter immunity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteadyClock FS - Reference class Digital Clocking\u003c\/strong\u003e\u003cbr\u003eExcellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is, with lowest jitter and highest jitter immunity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoom EQ in TotalMix FX\u003c\/strong\u003e\u003cbr\u003eThe latest Room EQ addition provides an optimized handling of the existing 3-band PEQ in TotalMix FX, including 9-band PEQ, Volume Calibration and Crossfeed function.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAD, Line In 1-8, rear\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: 6.3 mm TRS, electronically balanced\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFilter: Short Delay Sharp, 5 \/ 5 \/ 6 samples delay\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTHD @ -1 dBFS: \u0026lt; -120 dB, \u0026lt; 0.0001 %\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTHD+N @ -1 dBFS: \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaximum input level: +19 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput: 6.3 mm TRS jack, electronically balanced\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput sensitivity switchable between Lo Gain and +4 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput level for 0 dBFS @ Lo Gain: +19 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput level for 0 dBFS @ +4 dBu: +13 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eVariable digital gain: 0 to +12 dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMinimum level for 0 dBFS: +1 dBu, -1.2 dBV\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone In 9-12, front\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAs AD, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: XLR, electronically balanced\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput impedance @ 1 kHz: 3.4 kOhm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR) @ 0 dB Gain: 117 dB (AES17), 119.5 dBA\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTHD+N @ -1 dBFS, Gain 20 dB: \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.1 dB: 10.7 Hz – 20.3 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 5.1 Hz – 45.0 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 3.5 Hz – 88 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEIN @ 60 dB Gain, 150 Ohm, A-Weighted: -129.8 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGain range: 75 dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 0 dB: +18 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 75 dB: -57 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCLIP LED: 0 dBFS\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSIG LED: -60 dBFS\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInstrument In 9-12, front\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAs AD, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: 6.3 mm TS jack, unbalanced\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput impedance @ 1 kHz: 1 MOhm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 116 dB (AES17), 118.5 dBA\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 2.4 Hz – 20.0 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -1 dB: 1.6 Hz – 28 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -3 dB: 0.8 Hz – 54 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTHD+N @ -1 dBFS, Gain 20 dB: \u0026lt; -107 dB, \u0026lt; 0.00045 %\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGain range: 42 dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 8 dB: +21 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 50 dB: -21 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA, Line Out 3-8, rear\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput: 6.3 mm TRS jack, servo-balanced\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput level switchable Hi Gain, +4 dBu, -10 dBV\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS @ Hi Gain: +19 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS @ +4 dBu: +13 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 75 Ohm\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA - Stereo Monitor Output XLR (1-2)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAs DA, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput: XLR, balanced\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS @ 24 dBu: +24 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS @ Hi Gain: +19 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS @ +4 dBu: +13 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 150 Ohm\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA - Stereo Monitor Output Phones (9-12)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAs DA, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput: 2 x 6.3 mm TRS stereo jack, unbalanced\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaximum output level at 0 dBFS, High: +19 dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaximum output level at 0 dBFS, Low: +2 dBV\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMax power per channel @ 32 Ohm load, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR) @ High: 116.5 dB (AES17), 118.5 dBA\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR) @ Low: 115 dB (AES17), 117 dBA\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 2 Ohm\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x MIDI I\/O via 5-pin DIN jacks\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGalvanically isolated by optocoupled input\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHi-speed mode: Jitter and response time typically below 1 ms\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSeparate 128 byte FIFOs for input and output\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2 x MIDI I\/O via MADI\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInvisible transmission via User bit of channel 56 (up to 48 kHz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInvisible transmission via User bit of channel 28 (up to 96 kHz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClocks: Internal, ADAT, AES, SPDIF, word clock\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (\u0026gt; 1 Hz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEffective clock jitter influence on AD and DA conversion: near zero\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePLL ensures zero dropout, even at more than 100 ns jitter\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital Bitclock PLL for trouble-free varispeed ADAT operation\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 28 kHz up to 200 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Inputs\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMADI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOptical via FDDI duplex SC connector\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e62.5\/125 and 50\/125 compatible\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCoaxial via BNC (Word Clock input), 75 Ohm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.2 Vpp)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAccepts 56 channel and 64 channel mode, plus 96k Frame\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStandard: up to 64 channels 24 bit 48 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eS\/MUX: up to 32 channels 24 bit 96 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eS\/MUX4: up to 16 channels 24 bit 192 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLock range: 25 kHz – 54 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (\u0026gt; 1 Hz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.3 Vpp)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSPDIF compatible (IEC 60958)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAccepts Consumer and Professional format\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLock range: 27 kHz – 200 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (\u0026gt; 1 Hz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eADAT Optical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x TOSLINK, format according to \u003ca href=\"https:\/\/www.bajaao.com\/collections\/alesis\" target=\"_blank\" rel=\"noopener noreferrer nofollow\" title=\"Alesis\"\u003eAlesis\u003c\/a\u003e specification\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStandard: 2 x 8 channels 24 bit, up to 48 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBitclock PLL ensures perfect synchronisation even in varispeed operation\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLock range: 31.5 kHz – 50 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (\u0026gt; 1 Hz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF optical (ADAT 2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x optical, according to IEC 60958\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAccepts Consumer and Professional format\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLock range: 27 kHz – 200 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (\u0026gt; 1 Hz)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBNC\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInternal termination 75 Ohm switchable\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAutomatic Double\/Quad Speed detection and internal conversion to Single Speed\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSteadyClock guarantees super low jitter synchronization even in varispeed operation\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNot affected by DC-offsets within the network\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSignal Adaptation Circuit: signal refresh through auto-center and hysteresis\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOvervoltage protection\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLevel range: 1.0 Vpp – 5.6 Vpp\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLock Range: 27 kHz – 200 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (\u0026gt; 1 Hz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Outputs\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMADI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOptical via FDDI duplex SC connector\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e62.5\/125 and 50\/125 compatible\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCoaxial via BNC (Word Clock input), 75 Ohm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.2 Vpp)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAccepts 56 channel and 64 channel mode, plus 96k Frame\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStandard: up to 64 channels 24 bit 48 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eS\/MUX: up to 32 channels 24 bit 96 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eS\/MUX4: up to 16 channels 24 bit 192 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLock range: 25 kHz – 54 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (\u0026gt; 1 Hz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eXLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput level Professional 4.5 Vpp, Consumer 2.6 Vpp\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFormat Professional according to AES3-1992 Amendment 4\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFormat Consumer (SPDIF) according to IEC 60958\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSingle Wire mode, sample rate 28 kHz up to 200 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eADAT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x TOSLINK, format according to Alesis specification\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStandard: 2 x 8 channels 24 bit, up to 48 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF optical (ADAT 2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x optical, according to IEC 60958\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAccepts Consumer and Professional format\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLock range: 27 kHz – 200 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (\u0026gt; 1 Hz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBNC\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMax. output voltage: 5 Vpp\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput voltage @ 75 Ohm termination: 4.0 Vpp\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 10 Ohm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency range: 27 kHz – 200 kHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePower supply: Internal switching PSU, 100 - 240 V AC, 36 Watts\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIdle power consumption: 19 Watts\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTypical power consumption: 22-25 Watts\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19\" x 1.73\" x 8.5\")\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3\" x 1.73\" x 8.3\")\u003cbr\u003e\n\\n\u003c\/li\u003e\\n\u003cli\u003eDimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3\" x 1.73\" x 8.3\")\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTotal depth: 240 mm (9.4”)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeight: 3 kg ( 6.6 lbs)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTemperature range: +5° up to +50° Celsius (41° F up to 122°F)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRelative humidity: \u0026lt; 75%, non condensing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":67980156436693,"sku":"RME-FIREFACEUFXIII","price":297192.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/4219\/6949\/files\/rme-audio-interfaces-rme-fireface-ufx-iii-24-bit-192khz-high-end-usb-3-audio-interface-1093195336.jpg?v=1792948823","url":"https:\/\/allgoodsoutpost.shop\/products\/rme-fireface-ufx-iii-24-bit-192khz-high-end-usb-3-audio-interface","provider":"Noventri","version":"1.0","type":"link"}